Knavery’s plain face is never seen till used.
Othello, act 2, sc. 1
We accept that deception is to the art of government, what the brush is to the art of painting. But there are instances where deception oversteps even the more tolerant bounds of disgust and nausea.
I refer to the heart-rending picture of the little Kurdish dead boy (Aylan Kurdi), strewn on the foreshore of the Mediterranean. For we could not realize that, though the death was real, the picture was staged. And the impact of the doctored picture was designed to prevent any other reaction than horror. Continue reading