Tag Archives: Shakespeare in Politics

Shakespeare’s Best Insults and Best Curses, Guts and Vultures

“Let vultures gripe thy guts.” (Merry Wives of Windsor act 1, sc. 3) Tips for use. Excellent retort to an accusation or act or word of insolence when you do not immediately have an answer. Excellent comeback during a political debate. No doubt Pistol had in mind the myth of Prometheus, the Titan god of Read More

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Shakespeare’s Words of Gratitude and Thanks to Thank You

“Your presence makes us rich, most noble lord. And far surmounts our labour to attain it.” (King Richard II, act 2, sc. 3) Tips for use.  Elegant follow-up to words of gratitude and consideration, especially when received from a person in power. However, in this day’s blog he who writes it wishes to express his Read More

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Shakespeare on Facial Expression and Non Verbal Communication

“… there is a kind of confession in your looks which your modesties have not craft enough to colour” (Hamlet, act 2, sc. 2) Tips for Use.  We all draw initial impressions and indications from the facial expressions of people we meet. Use the line to effect when your interlocutor seems hesitant in answering a Read More

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Shakespeare on Supersonic Speed Leading to Excellent Performance Review

“I’ll put a girdle around the earth In forty minutes.” (Midsummer Night’s Dream, act 2, sc. 1) Tips for Use.  A good answer to the question, “When will you be back?” – especially if the questioner expects you to be back promptly and with mission accomplished. Clearly Shakespeare anticipated the space age and the concurrent Read More

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Shakespeare on the Power of Personality and Personality Type

GLOUCESTER The trick of that voice I do well remember: Is ‘t not the king? KING LEAR  Ay, every inch a king (King Lear act 4, sc. 6) Comments.  Confirm the exceptional standing of a person. You can change ‘king’ to ‘queen’, ‘prince’ or other equivalent (preferably monosyllabic) titles with equal effect. Equally effective in Read More

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Shakespeare on How to Ask for a Salary Raise

 “To my unfolding lend your gracious ear, And let me find a charter in your voice To assist my simpleness.” (Othello, act 1, sc. 3) Comments.  You know all the practical reasons for asking for a raise in salary, but these lines make for a sensible introduction. This of course implies that your boss or Read More

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Shakespeare on Power, Arrogance and the Arrogance of Power

“… man, proud man, Dressed in a little brief authority, Most ignorant of what he’s most assured, His glassy essence, like an angry ape, Plays such fantastic tricks before high heaven As make the angels weep.” (Measure For Measure act 2, sc. 2) Tips for Use. Include the lines in a resignation email when you Read More

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Shakespeare on Thank you, Thank you notes, Comebacks and Insults

“Thank me no thankings, nor, proud me no prouds” (Romeo and Juliet, act 3, sc. 5) Tips for Use. Perfect repartee for insincere social expressions and an elegant way to invite the other party(ies) to cut to the chase. Particularly applicable when the thanking appears insincere or when you wish to deflect with some humor Read More

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Shakespeare on Relative Strengths and Weaknesses

“To end a tale of length, Troy in our weakness stands, not in her strength.” (Troilus and Cressida, act 1, sc. 3) Tips for Use. Change ‘Troy’ to any other city, state, person, situation, circumstances, where the enemy appears strong because the weaker party is incapable of organizing itself. In fact the truth is so Read More

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Shakespeare on Vows, Love Promises and Promises Broken

“Vows are but breath, and breath a vapour is” (Love’s Labours Lost, act 4, sc. 3) Comments. The line can be interpreted in two ways, or better, adapted to two opposite circumstances. To state that vows are but breath means to deny the validity of any commitment. As such, the message has a negative tone Read More

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