Tag Archives: verbal self-defense

Shakespeare and how Lobbying Works

“Comest thou with deep premeditated lines, With written pamphlets studiously devised Humphrey of Gloucester?” (King Henry VI part 1, act 3, sc.1) Comments.  In the instance, the bishop of Winchester accuses the duke of Gloucester of using “studiously devised” documentation so as to deprive the bishop of his rights, whatever they may be. Today, the Read More

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Shakespeare on Equivocation, Confusion and Meaning

“We must speak by the card or equivocation will undo us.” (Hamlet, act 5, sc. 1) Comments. Two historians separated in time by millennia said the same thing, A historian must describe things “as they happened” (wie es eigentlich gewesen), according to Ranke (author of the monumental History of the Popes). Much earlier on Herodotus Read More

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Shakespeare on Salad Days and Inexperience

“Those were my salad days, When I was green in judgement.” (Antony and Cleopatra, act 1, sc. 5) Tips for Use.   Unless you are really old you can often attribute your errors to inexperience and get away with it. Though for many the salad days extend far longer than when the days were salad. A Read More

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Shakespeare’s Insult on Appearance, both Physical and Metaphorical

“…not honour’d with A human shape.” (Tempest act 1, sc. 2) Tips for Use.  Good insult or characterization of someone whom you despise intensely, either physically but, more likely, metaphorically. Or apply self-effacingly to yourself when you show up in dirty attire or similar at a formal event, due to unforeseen circumstances. This and other Read More

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Shakespeare on Recognition and Name Recognition

“… and every tongue that speaks But Romeo’s name, speaks heavenly eloquence.” (Romeo and Juliet, act 3, sc. 2) Tips for Use. It could be an answer to ‘Have you heard of So and So?’ where So and So is a lady of interest to you, e.g. ‘every tongue that speaks but (So and So’s) Read More

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Shakespeare on bagpipe and bagpipes, musical taste, likes and dislikes

“Some men there are love not a gaping pig; … And others, when the bagpipe sings i’ the nose Cannot contain their urine.” (Merchant Of Venice, act 4, sc. 1) Tips for use.  Perfect repartee should you dislike the subject instrument and be asked about your related opinion. With some artistic license you can apply Read More

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Shakespeare on Reply to “I love you” and to Express Surprise

“Madam, you have bereft me of all words, Only my blood speaks to you in my veins… (Merchant Of Venice, act 3., sc. 2) Tips for use. Words of love hang on a very thin thread from which it is easy to fall from the poetic to the rhetorical, the exaggerated and the ridiculous. The Read More

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Shakespeare’s Best Insults and Best Curses, Guts and Vultures

“Let vultures gripe thy guts.” (Merry Wives of Windsor act 1, sc. 3) Tips for use. Excellent retort to an accusation or act or word of insolence when you do not immediately have an answer. Excellent comeback during a political debate. No doubt Pistol had in mind the myth of Prometheus, the Titan god of Read More

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Shakespeare on Facial Expression and Non Verbal Communication

“… there is a kind of confession in your looks which your modesties have not craft enough to colour” (Hamlet, act 2, sc. 2) Tips for Use.  We all draw initial impressions and indications from the facial expressions of people we meet. Use the line to effect when your interlocutor seems hesitant in answering a Read More

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Shakespeare on Disliking a Person

MESSENGER. I see, lady, the gentleman is not in your books. BEATRICE. No; and if he were, I would burn my study.” (Much Ado About Nothing, act 1, sc. 1) Tips for Use.  Express displeasure and distance yourself from the object of your displeasure. E.G. ‘He is not in my books and if he were, Read More

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